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Making body-con looks for women of all shapes and sizes is nothing new for Kouyaté, who has always had an inclusive view of beauty. Around the Yes I am old but I saw Rolling Stone on stage Vintage Shirt and I love this same time that Azzedine Alaïa was creating second-skin looks using the distinctive Tati check, Kouyaté was shopping the same bargain store for materials to make into one-off wonders that were accessible to all women—including outer-arrondissement Parisiennes; immigrants; and young people who, like the designer, were operating in the liminal space between cultures. Wearing hand-me-downs and customizing secondhand garments was a way of life that Kouyaté brought with him from Africa to France,
Born in Mali, Kouyaté is one of seven brothers. “When we were young, we were really open to the Yes I am old but I saw Rolling Stone on stage Vintage Shirt and I love this world,” he says. “When I grew up in Bamako, everything came from the outside: images, music—we would listen to music from London, from the United States, from everywhere.” So many of the garments available at the local flea market were American that it was nicknamed “Broadway.” where he studied architecture and came to admire Frank Lloyd Wright, whose work, he found, “was about how we can do things with less and have a respect for the environment.”
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